The Titans of Ardana by @JessSFrankel, interview by #thetoiboxofwords

Greetings readers, bloggers, geeks, and authors and welcome to The ToiBox of Words. I’m your host Toi Thomas, author of Eternal Curse, and today I have a treat to share. A while back, I had the pleasure to interview a wonderful author named, J.S. Frankel. A good time was truly had by all, and here’s how it went down.

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Toi Thomas: Hi there J.S.! It’s so awesome to have you here at the ToiBox Blog. I’m excited to learn more about you and your work.

J.S. Frankel: Hi there Toi. I’m excited to be here.

Toi Thomas: So tell me, who is J.S. Frankel?

J.S. Frankel: J.S. Frankel is my pen name, and I write primarily YA Fantasy with a lot of action. Some of my better known novels are the Catnip series, Star Maps, The Titans of Ardana, and Twisted, a gender-switch fantasy. I was born in Toronto, Canada, a long time ago, moved to Japan at age of twenty-six, and have been here ever since. I got into writing late, at the age of forty-eight, got published a year later, and have been at it ever since. I love to write YA, as it has a freshness and immediacy all its own. Every book is a new adventure!

Toi Thomas: I thought starting to write in my 30’s was late, but in reality, there’s no time-limit on discovering a part of yourself. I can’t wait to learn more about your journey. Before we dive into your special message today, let’s get to know you, the person inside the author.

What makes you geek out?

J.S. Frankel: Oh, god, it has to be superhero flicks! I remember watching Superman, the original film, back when I was a teen, and forty years later I’m still watching the best (and worst) that Hollywood has to offer. Recently, I saw Wonder Woman and said to myself, “THAT’S how you do an action movie!”

Toi Thomas: I know right. I’m pretty sure I was holding my breath through the whole film, just waiting for the s*** to hit the fan, but it never did. Wonder Woman was a really good movie. While not all superhero flicks are winners, I’m so happy that they’ve become mainstream. They are great stories at their core.

What was your favorite book or story, pre-teen years?

J.S. Frankel: Probably The Voyage of the Luna 1. It was a British story written in the late 1940’s, and it fired my imagination about space travel and adventure. The science was all wrong, but I was six. How could I know? I loved it, all the same.

Toi Thomas: I’ve never heard of this book, but it sounds like something I’d enjoy. While good science fiction should, for the most part, feel feasible, I sometimes get a kick out of stories that stretch the limits and make no real sense. At that point, it feels like reading accidental fantasy.

In terms of interviews, whose brain are you just itching to scratch?

J.S. Frankel: If I could, I’d love to interview Robert McCammon or Nora Jemisin, as they are two of my favorite writers. Yes, pick their brains–not eat them!–and find out their process of writing. Both are very wordy writers, but with no waste, no excess or info dumping. Different styles, but very readable. Anything they write is prime!

Toi Thomas: While I’m only vaguely familiar with Robert McCammon, I believe best known for historical fiction, I’ve heard a lot of Jemisin (I believe she goes by N.K.) with the release of her book The Fifth Season. It’s been on my TBR for a while, but so have a lot of books. I’ll definitely get to it though.

Now that we know a little more about you, the person, let’s learn about you, the author, and dive into your special message.

So whacha got for me today?

J.S. Frankel: The Titans of Ardana is a YA Adventure/Fantasy novel. It’s about a young teen–Martin Calder–who is enamored of a television show as well as its co-star, Dana, no last name given. Martin sets out to get her autograph, but in doing so, finds out that she and her twin brother, Van, aren’t exactly from around here. Then the fun begins!

Toi Thomas: I really like the sound of this. I get the feeling there is a lot of humor and mystery in this story. An actress playing one role on TV and then playing another role in real life because she’s not what she seems; already has me curious. Does mystery play a part in this story directly or indirectly?

J.S. Frankel: Actually, the reveal is there right away, right at the end of the first chapter. It’s what happens after that provides all the fun!

Toi Thomas: So, who’s starring in this 2-dimensional script read of The Titans of Ardana?

J.S. Frankel: Two main stars. Martin Calder is the main protagonist of the novel. He’s a geek over sci-fi and fantasy, loves a television show, The Metas, and is in love with the star, Dana, no last name given. Dana is the star of the show. Tall, raven-haired, gorgeous (purple eyes are killer!) she is every bit the superheroine that Martin imagines her to be. Ironically, she IS a superhero, an alien, and she and her twin brother Van are on the run from an interstellar warlord who wants to eliminate them.

Toi Thomas: I love stories with twins in them; no idea why. I think it has something to do with the idea that two people can be connected in an almost psychic way from birth.

What’s so special about this story that’s going to reel in the readers?

J.S. Frankel: It takes the concept of what being a superhero is and turns it on its head. The alien co-stars of the novel, Dana and her twin brother, Van, exist on sugar, and that makes for some funny gross-out moments, as they eat TONS of sugar-laden goodies every day in order to survive. The action is also very good, and there’s quite a bit of humor in the novel. I like to have a little bit of everything in the books I write, and The Titans of Ardana has a little bit of everything to recommend.

Toi Thomas: I enjoy humor, but there are different kinds that appeal to different people. What kind of humor does this story have: slap-stick physical humor, sarcasm and ironic humor, dark and twisted humor, etc…

J.S. Frankel: I’d liken the humor to physical humor, mainly, but no pratfalls or pies in the face. It’s what Dana does—you’ll have to read the chapter in which she and Martin go to a chocolate factory—to get the humor. It’s sort of physical, gross-me-out stuff, and lies in the reactions of the people around them. It also happens to be the funniest scene in the novel, and then it quickly transitions into an action scene, something I am known for and love doing.

Toi Thomas: Past, present, future, is there a rhyme or reason to your writing?

J.S. Frankel: I don’t have a detailed game plan, per se. Ideas pop into my head, the old “What if” scenarios. I do a very basic outline of what will happen in each chapter, who is in it, dialogue, and then start writing. Of course, everything is subject to change and I’m always tweaking something. No music…I listen to that while taking breaks. I need silence. I write late at night when my family is asleep. I can concentrate better that way.

Toi Thomas: I cherish those moments when I can write in complete silence, they just don’t come around very often. I do, however, from time to time use music to inspire me when I need it.

Now this is where the questions get a little kooky; are you ready?

J.S. Frankel: “Whatever!”

Wikipedia

Toi Thomas: If you could only watch one movie for the rest of your life, what would it be?

J.S. Frankel: There are so many, but I’m going to go with an old one, Some Like It Hot, with Marilyn Monroe, Tony Curtis, and Jack Lemmon. It’s basically a 20-minute burlesque sketch expanded into a movie, but the performances are terrific, Marilyn is adorable, and the final line is killer. Great movie, stands up against anything done today.

Toi Thomas: That is a good movie. While it’s not my favorite Monroe role, I still like her in it and can never get enough of the laughs. As far as burlesque goes, I have a fondness for Gypsy. What can I say, Marilyn is classic, but Natalie is eternal.

Not that you can see into the future, but in your opinion, what does the future hold?

J.S. Frankel: More writing! I would love to be recognized more for what I do, but realistically, there are so many writers out there that recognition is difficult, as is fame or financial reward. While it would be great to make a living from my novels, really, I love to write first and foremost. I can’t see myself doing anything else.

Toi Thomas: If you love to write and stay true to that, who knows, recognition may come when you least expect it.

Any last words to offer our readers after visiting here at the ToiBox of Words?

J.S. Frankel: I would like to say thank you for giving me the chance to express myself. Interviews are hard to come by, and I’m grateful for any and all opportunities.

Toi Thomas: Thank you so much J.S. for spending time with me today.

J.S. Frankel: This has been a fun ride, and the questions were terrific, so thank you once again!

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Okay readers, bloggers, geeks, and authors, that’s all for today. Be sure to follow this blog to see who will be visiting next time. For more from J.S. Frankel, check out these great links:

Amazon.com: J.S. Frankel

Facebook: J.S. Frankel AUTHOR

Twitter: @JessSFrankel

This has been a

Thank you for taking the time to read this post. If you like it let me know and share it with others. See you next time, Toi Thomas. #thetoiboxofwords

The Cephalopod Coffeehouse #Review: Faith & Fandom Volume 2 #geek #Christian

The idea is simple: on the last Friday of each month, post about the best book you’ve finished over the past month while visiting other bloggers doing the same. In this way, we’ll all have the opportunity to share our thoughts with other enthusiastic readers. Please join us below.

Title: Faith & Fandom Volume 2: The Obligatory Sequel
Author: Hector Miray
Genre: Christian Nonfiction, Geek Culture
Pages: 95
Reading Level: Teen
Content: PG (reference to books, movies, and video games targeted to teen and adult audiences, religious principles)

I’ll admit that it took me some time to get into this book, but I’m glad I stuck with it. I enjoyed this book so much that I immediately shared it with a family member after finishing it. With that said, I did have a few issues concerning my reading experience and would like to explain what I liked and didn’t like, thus keeping this wonderful book from receiving a 5 star rating.

First, I loved the cover. It pulled me in from across the alley at the local Comic Con where I received it. The images and the title immediately had me curious about the content within, so imagine my disappointment with there were no images inside, at all. I’m no fool to the issue of copyright infringement, but for some reason, I at least expected to see some vague and rough sketches to accompany some of the featured stories, but there were none.

Second, I enjoyed the personal and carefree tone of the essays. Many of them include personal life experiences and moments of pure geekdom that I could totally relate to. Then when the author began to transition into making biblical connections, it didn’t feel forced or preachy. He was simply offering his opinions based on his personal faith-walk and experience as a geek and fanboy. However, there were times when comprehending the message was a little difficult. There was no stylized formatting to clearly separate what was personal opinion, media quotes, or scripture. Yes, Miray, used all correct punctuation, but since the essays are written in a conversational way, it was sometimes difficult to determine which part of the one-sided conversation you were reading. Plus, it bothered me that none of the paragraphs were indented, though, I got over it quickly by pretending I was reading blog posts, which are often times not indented.

Lastly, I liked that this was a short read that packed a lot of punch. Miray covers so many different fandoms in this volume, it makes me want to go back to see what he talked about in the first one. Since I acquired my copy at a live event, I got to speak with Miray who suggested that I start with whichever volume seemed to have more of the geek stuff I liked in it, thus I started with volume two.

Even though this was a short read, it did take me a while to get into it because of all the forwards. I’m used to reading one or two pages of forwards and I think this book had four pages of them. Also, I was a little annoyed that there were no page numbers to reference. Sometimes I like to gauge my progress as I’m reading to motivate myself to finish a book, but I couldn’t do that this time.

Overall, I really felt like this book was wonderful for those who love geek culture and who might be curious about Christian faith. Other books that claim to connect faith to pop culture in a fun and interesting way, to me, have fallen short, but this book does it right. Recommended to, as the description states “geek curious believer[s and] a faith curious fanboy[s and girls]” of all ages, though younger children may not get all the references.

I give this book a 4.

This review has been posted to GoodReads.

If you’d like to obtain a copy of this book or others in the series, try this link: Amazon

If you have a moment, I’d love for you to visit my CURIOUS QUESTIONS page and offer your two cents on the question being asked. Thanks bunches.

Please stop by and see what others have read. 😀

Thank you for taking the time to read this post. If you like it let me know and share it with others. See you next time, Toi Thomas. #thetoiboxofwords

This Is A Bust Virtual Tour #historial #noir

Set in New York’s Chinatown in 1976, this sharp and gritty novel is a mystery set against the backdrop of a city in turmoil

Robert Chow is a Vietnam vet and an alcoholic. He’s also the only Chinese American cop on the Chinatown beat, and the only police officer who can speak Cantonese. But he’s basically treated like a token, trotted out for ribbon cuttings and community events.
So he shouldn’t be surprised when his superiors are indifferent to his suspicions that an old Chinese woman’s death may have actually been a murder. But he sure is angry. With little more than his own demons to fuel him, Chow must take matters into his own hands.
Rich with the details of its time and place, this homage to noir will appeal to fans of S.J. Rozan and Michael Connelly.

 

January 20, 1976. The Hong Kong-biased newspaper ran an editorial about how the Chinese who had just come over were lucky to get jobs washing dishes and waiting tables in Chinatown. Their protest was making all Chinese people look bad. If the waiters didn’t like their wages, they should go ask the communists for jobs and see what happens.Here in America, democracy was going to turn 200 years old in July. But the Chinese waiters who wanted to organize a union were going directly against the principles of freedom that George Washington, Thomas Jefferson, and Abraham Lincoln had fought for.

Those waiters were also disrespecting the previous generations of Chinese who had come over and worked so hard for so little. If it weren’t for our elders, the editorial said, today we would be lumped in with the lazy blacks and Spanish people on welfare.

I folded the newspaper, sank lower in my chair, and crossed my arms. I banged my heels against the floor.

“Just a minute, you’re next! Don’t be so impatient!” grunted Law, one of the barbers. A cigarette wiggled in his mouth as he snipped away on a somber-looking Chinese guy’s head. When he had one hand free, he took his cigarette and crushed it in the ashtray built into the arm cushion of his customer’s chair.

He reached into the skyline of bottles against the mirror for some baby powder. Law sprinkled it onto his hand and worked it into the back of the somber guy’s neck while pulling the sheet off from inside his collar. Clumps of black hair scampered to the floor as he shook off the sheet.

The customer paid. Law pulled his drawer out as far as it would go and tucked the bills into the back. Then he came over to me.

Law had been cutting my hair since I was old enough to want it cut. He was in his early 60s and had a head topped with neatly sculpted snow. His face was still soft and supple, but he had a big mole on the lower side of his left cheek.

You couldn’t help but stare at it when he had his back turned because it stood out in profile, wiggling in sync with his cigarette.

He looked at the newspaper on my lap.

“We should give all those pro-union waiters guns and send them to Vietnam!” Law grunted. “They’ll be begging to come back and bus tables.”

“They wouldn’t be able to take the humidity,” I said.

“That’s right, they’re not tough like you! You were a brave soldier! OK, come over here. I’m ready for you now,” Law said, wiping off the seat. I saw hair stuck in the foam under the ripped vinyl cover, but I sat down anyway. Hair could only make the seat softer.

“I don’t mean to bring it up, but you know it’s a real shame what happened. The Americans shouldn’t have bothered to send in soldiers, they should have just dropped the big one on them. You know, the A-bomb.”

“Then China would have dropped an A-bomb on the United States,” I said.

“Just let them! Commie weapons probably don’t even work!” Law shouted into my right ear as he tied a sheet around my neck.

“They work good enough,” I said.

When Chou En Lai had died two weeks before, the Greater China Association had celebrated with a ton of firecrackers in the street in front of its Mulberry Street offices and handed out candy to the obligatory crowd. The association had also displayed a barrel of fireworks they were going to set off when Mao kicked, which was going to be soon, they promised. Apparently, the old boy was senile and bedridden.

“Short on the sides, short on top,” I said.

“That’s how you have to have it, right? Short all around, right?” Law asked.

“That’s the only way it’s ever been cut.”

If you didn’t tell Law how you wanted your hair, even if you were a regular, he’d give you a Beefsteak Charlie’s haircut, with a part right down the center combed out with a Chinese version of VO5. I was going to see my mother in a few days, and I didn’t want to look that bad.

“Scissors only, right? You don’t like the electric clipper, right?”

“That’s right,” I said. When I hear buzzing by my ears, I want to swat everything within reach. Law’s old scissors creaked through my hair. Sometimes I had to stick my jaw out and blow clippings out of my eyes.

The barbershop’s two huge plate glass windows cut into each other at an acute angle in the same shape as the street. Out one window was the sunny half of Doyers Street. The other was in the shade. How many times had I heard that this street was the site of tong battles at the turn of the century? How many times had I heard tour guides say that the barbershop was built on the “Bloody Angle”?

The barbershop windows were probably the original ones, old enough so they were thicker at the bottom than at the top. They distorted images of people from the outside, shrinking heads and bloating asses. In the winters, steam from the hot shampoo sink covered the top halves of the windows like lacy curtains in an abandoned house.

In back of me, a bulky overhead hair dryer whined like a dentist’s drill on top of a frowning woman with thick glasses getting a perm.

The barbers had to shout to hear each other. The news station on the radio was nearly drowned out. The only time you could hear it was when they played the xylophone between segments or made the dripping-sink sounds.

If you knew how to listen for it, you could sometimes hear the little bell tied to the broken arm of the pneumatic pump on the door. The bell hung from a frayed loop of red plastic tie from a bakery box. When the bell went off, one or two barbers would yell out in recognition of an old head.

The bell went off, and Law yelled right by my ear.

“Hey!” he yelled. Two delayed “Hey”s went off to my left and right. The chilly January air swept through the barbershop. A thin man in a worn wool coat heaved the door closed behind him and twisted off his felt hat. His hands were brown, gnarled, and incredibly tiny, like walnut shells. He fingered the brim of his hat and shifted uneasily from foot to foot, but made no motion to take off his coat or drop into one of the four empty folding chairs by the shadow side of Doyers. He swept his white hair back, revealing a forehead that looked like a mango gone bad.

“My wife just died,” he said. If his lungs hadn’t been beat up and dusty like old vacuum-cleaner bags, it would have been a shout. “My wife died,” he said again, as if he had to hear it to believe it. The hairdryer shut down.

“Oh,” said Law. “I’m sorry.” He went on with my hair. No one else said anything. Someone coughed. Law gave a half-grin grimace and kept his head down, the typical stance for a Chinese man stuck in an awkward situation. The radio babbled on.

The barbers just wanted to cut hair and have some light conversation about old classmates and blackjack. Why come here to announce that your wife had died? The guy might as well have gone to the Off Track Betting joint on Bowery around the corner. No one was giving him any sympathy here.

Death was bad luck. Talking about death was bad luck. Listening to someone talk about death was bad luck. Who in Chinatown needed more bad luck?

“What should I do?” the thin man asked. He wasn’t crying, but his legs were shaking. I could see his pant cuffs sweep the laces of his polished wing tips. “What should I do?” he asked again. The xylophone on the radio went off.

I stood up and swept the clippings out of my hair. The bangs were longer on one side of my head. I slipped the sheet off from around my neck and coiled it onto the warmth of the now-vacant seat. Law opened a drawer, dropped in his scissors, and shut it with his knee. He leaned against his desk and fumbled for a cigarette in his shirt pocket.

I blew off the hair from my shield and brushed my legs off. I pushed my hat onto my head.

“Let’s go,” I told the thin man.

 

Ed Lin, a native New Yorker of Taiwanese and Chinese descent, is the first author to win three Asian American Literary Awards and is an all-around standup kinda guy. His books include Waylaid, and a trilogy set in New York’s Chinatown in the 70s: This Is a Bust, Snakes Can’t Run and One Red Bastard. Ghost Month, published by Soho Crime in July 2014, is a Taipei-based mystery, and Incensed, published October 2016, continues that series.
Lin lives in Brooklyn with his wife, actress Cindy Cheung, and son.
Connect with Ed at http://www.edlinforpresident.com or on social media at:

Monday, July 17
Book featured at Cheryl’s Book Nook
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Tuesday, July 18
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Ideas expressed in this promotion are not those of this blogger.

Thank you for taking the time to read this post. If you like it let me know and share it with others. See you next time, Toi Thomas. #thetoiboxofwords

Legacy by Stephanie Barr, interview by #thetoiboxofwords

Greetings readers, bloggers, geeks, and authors and welcome to The ToiBox of Words. I’m your host Toi Thomas, author of Eternal Curse, and today I’m sharing a special interview with author, Stephanie Barr, about her fiction book entitled, Legacy. Enjoy!

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Where did the idea for Legacy come from?

Well, that’s a long story. I’d written short stories (already in another anthology) and then five novels and had self-published four of them after my divorce. I was having a hard time getting into the mood or writing after my divorce and signed up with a short story contest. Although I didn’t win, I jumped back into short stories as I hadn’t done in years. After a couple years, I had more than thirty of them and nowhere to put them. So, I thought I’d make another anthology. I have another two stories coming out in multi-author anthologies this fall.

Wow, thirty short stories is impressive. With thirty stories in one book, how long is the book?

It is nearly 133k words, so it’s a long read. I was actually expecting a few of my beta readers to complain, but, so far, no one has.

How did the title of this book come about?

“Legacy” is a story in my anthology and involves a pair of teenage boys who survive the atomic bombing in Nagasaki, with one of the boys (Omoto) deeply in love with the other but unwilling to bring that up because he didn’t want to ruin their relationship. When the one loved dies in violence, Omoto has to decide what kind of legacy he’ll leave. I love the title and it seemed fitting for stories that reflect my thoughts, frustrations, societal issues. There are also stories with characters from my novels, my own legacy so the title seemed perfect for the collection.

I’ve seen that quite often, having a whole collection of stories listed under the title of one, but the fact this is a representation of your own legacy, makes this all the more special.

What genre is this book and why did you choose to make it so?

Most of my fiction is fantasy and/or science fiction and my short stories are the same. The short stories that expand on novels are in keeping with the original genres, almost all of my upcoming novel related stories are hard science fiction and the stories that are related to nothing could be anything. I have two that are historical/contemporary, some fantasy, and some science fiction.

Do you worry that including so many different genres will alienate fans of a particular genre?

You know, I really don’t. I’m a character writer and I think the genre is really immaterial if the characters “speak” to the reader. And I hear that a great deal from readers. “I don’t normally like fantasy but this was really good,” or even, “I didn’t get all the technical details, but I just loved Kado.” That is something cool with my science fiction. Because I’m a rocket scientist, the science is pretty sound, especially anything in space.

What would you say is the overall message or the theme of this book?

People are what matters. What you are is not as important as who you are. We all can do something to make the world better. Love is always better than hate.

That’s quite a message, and one you can never seem to have too much of. I like it.

Tell me about the experience of writing this book; how long did it take?

The first contest I wrote for started in January 2015.  The last story I added to the mix was in June 2017. There are four stories (Tarot Queen stories) which are the only ones that were written before the respective novel. The rest of the stories, the other twenty-eight, were written in the last two years along with maybe half a dozen I’ve sold or am marketing elsewhere.

So, about two years to write an impressive single author anthology. Not too shabby.

Briefly, describe some of the stories within this book.

I told you about “Legacy.” I’ve got three stories with an autistic scientist in a space station (my son is non-verbal autistic). I have a blind arcane archer with a shapeshifting cat. I have kids escaping from ruthless invaders (prequels to the Bete Novels), meet and fall in love fantasy stories (prequels to Curse of the Jenri), a young couple getting married and the bride’s eccentric grandmother (sequels to Saving Tessa), and several stories centered on a talented Tarot Queen who uses and is used by her cards. And a farcical story of a dragon, a unicorn, and a miller’s daughter.

That last one sounds like the set-up to a cheesy joke, but then you did say it was farcical. I gotta say, I’m really digg’n the diversity of this collection. Nice job.

What are some of the major themes in this book?

Some things are bigger than yourself.
Who you are is more important than what you are.
Love can come from anywhere.
Love is better and stronger than hatred.
Nobody’s infallible.
Better to try and fail than be silent.
Karma, like natural laws, has no pity.
The quick answer isn’t always the best answer.
Brains over brawn.
There’s more than you think to some people.
Sometimes there is no good answer.
Anything can be taken too far.
Women are powerful.
Appearances can be deceiving.
People are people, no matter the “species.”

Those are some pretty intense and noble themes. I get the feeling that all your writing, at some level, has a greater message to it. Were these themes on your mind when writing these stories or did they develop within the writing process?

Some of the themes come from the novels that spawned the stories. Many of the standalone stories were prompted by particular markets or contests I was going for, but they include my own personal philosophies. “Legacy” was partly inspired by George Takai and his work. Several other stories like “Nemesis” and “Nightmare Blanket” were spawned by frustration with the recent election. I’m pretty adamant about feminism. It’s the long way of saying, some stories are built on the theme and some have the theme built into the story.

What are some of the settings in this book?

I have a space station – and that was fun because I worked with folks on orbit so it’s a bit of an area of expertise (though I don’t know as much as those who lived it). I’ve got high fantasy realms (often with highly patriarchal societies), the Earth in 2058, in a galaxy far far away (had fun with space battles using real orbital mechanics), modern day San Francisco and California between WWII and today.

Whatever the anthology is about, I always enjoy the sense of travel. It’s one of the best parts of reading an anthology, but you don’t get that as much when all the stories happen in the same world. Don’t get me wrong, there are times when being engrossed in stories from the same world is just what I want, but most of the time, I prefer setting diversity.

Who are some of your favorite characters in this book?

Who don’t I love? Characters are my favorite. Okay, I love Saldomar, Tander, Riko, Cristo, Denra, and Klevaron (Curse of the Jenri), Dylan, Nathan, Tessa, and Dotty (Saving Tessa), Dante da Silva, Scruffy, and Gus (Tarot Queen), Xander, Alya, K’Ti, and Laren (the Bete Novels), Bryder and Nayna, Kado—love me some Kado, the Devil, the dragon, Billy, Ryuuji and Omoto.

I love some of the names your characters have. I like that some are average sounding while others are more exotic.

Are there elements of your personality or life experiences in this book?

Oh, yeah. Most of my characters have a bit of me, but some have more than their fair share like Nayna and Dylan who are both very very smart and socially awkward. But the snark that makes my charming characters is mine, too (don’t ask me how both can be true; I can’t explain it) so that’s Dante da Silva, the Devil, Tander, Bryder. Kado, as I mentioned, is patterned on my son though he’s not really non-verbal, more ultra-terse and more ruthless than my son. I’m also a manga otaku who loves yaoi so Legacy is my sort of tribute.

I find that most writers can’t seem to keep themselves out of their stories, I know I can’t, but I like how you swing that a bit to pay tribute to people and influences that you care about the most.

What is one thing from this book you wish was real or could happen to you?

True love. Though inventing something that made me rich and famous would be cool, too.

One thing I’ve learned from reading so much is that true love isn’t always romantic love, (says the girl who married her best friend and can’t get enough of the Princess Bride). I too think I’d like to have something that could make me rich (don’t need the fame).

What is something you wish wasn’t real and hope doesn’t happen to you?

I wish people who were different or smart weren’t judged, bullied or mistreated, though that happened to me (to a lesser extent than in my stories). This is also applicable to minorities, religious minorities, women and LGBTQ folks.

I feel ya. There never seems to be a shortage of reasons for people to pick on others; I do wish the world would go ahead and change already.

Let’s say your book is being turned into a feature length film; quick- cast the main two characters and pick a theme song or score.

That’s really more pertinent to one of my novels, though you could tease a film out of the “Tarot Queen, Melan” stories or “Legacy.” I think Curse of the Jenri would make a great film. Grace Jones was an image I had for Melan. I could really see Scarlett Johansen as Layla and someone like the Rock (though probably younger) playing Tander. But that’s the general attitude he’d need. I always thought the opening credits would be great to a remix of “Witchy Woman” as Layla sneaks into the castle.

Wikipedia

I love that opening credits description. Sounds like something I’d totally watch. I understand this question being more suitable to a novel, but what if you could cast a film based on this collection. Imagine something like the Heavy Metal movie (not suitable for children) where one entity connects all the unrelated stories together. Do you think that would be too much?

That’s a very intriguing thought. I don’t have a single thread holding them together, but don’t challenge me. I could come up with something and several stories could be grouped into a single episode.

Do you have any special plans for this book in the near or far future?

Well, I’m hoping to release it in paperback and ebook at the end of July or, at the latest, early August. My other anthologies (stories and poetry) are only available in ebook format (and they’re available for free) but I think this is something special. My friend (Chuck, I mentioned him) says this book is like an anthology of anthologies. I think it’s something special.

So, is this book available for pre-order?

Yes. You can find it at Amazon.com

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Okay readers, bloggers, geeks, and authors, that’s all for today. Be sure to follow this blog to see who will be visiting next time. To try other works by Stephanie Barr, please visit the links provided.

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“What if?” Those two words all too easily send Devorah Fox spinning into flights of fancy. Best-selling author of The Bewildering Adventures of King Bewilliam epic historical fantasy series including “The Redoubt,” voted one of 50 Self-Published Books Worth Reading 2016, and ”The Lost King,” awarded the All Authors Certificate of Excellence. She also wrote “Detour,” ranked in the Top Ten Thrillers in Preditor/Editors Readers’ Choice Poll and “The Zen Detective,” a finalist in the Golden Books Award Contest. She co-authored the contemporary thriller, “Naked Came the Sharks,” with Jed Donellie, contributed to “Masters of Time: a SciFi/Fantasy Time Travel Anthology,” and “Magic Unveiled: An Anthology,” and has several Mystery Mini Short Reads to her name. Born in Brooklyn, New York, she now lives in The Barefoot Palace on the Texas Gulf Coast with rescued tabby cats … and a dragon named Inky.

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On the road to Zen enlightenment, homicide detective Will Mansion takes a seductive detour down the path to perdition. When a bust goes terribly wrong, Paradise City detective Will Mansion nearly dies while saving his partner. On leave, Will seeks relief from post-traumatic stress disorder through Zen meditation and abstinence. He responds to the plea of the cryptic Sister Clyde to find a man missing from her soup kitchen, a man who may provide a lead to the vicious drug dealer who nearly killed Will. The search seduces Will away from the healing he seeks and he finds himself on the smarmy Miracle Mile. Alcohol, sex, and the potent drug “Nearvana” numb Will’s pain better than his infant Zen practice. He slips further and further into an underworld of the lost and hopeless only to find himself facing death—again.

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Thank you for taking the time to read this post. If you like it let me know and share it with others. See you next time, Toi Thomas. #thetoiboxofwords