The first time I attended RavenCon I was blown away. It was such a good experience all around and I knew it would become part of my regular Con experience whether I vended or not. So, when I was given a chance to speak at my next RavenCon I thought I’d truly made it into this geeky tribe where I would be safe and accepted… until I wasn’t.
I won’t go into a lot of details, but at my second RavenCon, someone who worked for the establishment where the event was held made me and my niece feel less than accepted. This wasn’t RavenCon’s fault in any way, but when news of my experience reached them, they investigated to make sure this kind of thing didn’t happen again at their event, which I thought was great. Unfortunately, at the end of the day, it was their word against mine. At that point, everyone tried to convince me that I was being sensitive, but after a lifetime of being the only black person in a place and being ignored or being last to be acknowledged, they were right. I was being sensitive- sensitive to the familiar feeling of being overlooked and dismissed. Not having someone understand that hurt.
Despite the hurt I felt, when I saw RavenCon stand up to proclaim that Black Lives Matter, I decided to put the past behind me and move forward. 2020 and COVID-19 have been hard/difficult/down-right terrible on so many. When I saw that RavenCon wanted to raise money to help compensate vendors and refund tickets I wanted to help. I’ve been a convention ticket holder and vendor and I know first hand what it’s meant to not attend Cons this year.
I gave to an initial fundraiser they held a while back and submitted a story for their charitable anthology, knowing I would make no money from it if my story was chosen. I was surprised when my story was chosen and was happy to work with the editor, Michael Pederson, to perfect the story for print.
I’m very excited for people to have a chance to read my story in the CORVID-19 anthology, and even more excited to do my part to help raise money for RavenCon. The Kickstarter campaign launches in one week on Wednesday, December 16. I do hope you will check it out and #BackTheRaven.
*Sorry I didn’t share the cover of CORVID-19, I wasn’t given clearance for that 😉 Don’t worry, I’ll post again on launch day. Hope to see you then.*
Thank you for taking the time to read this post. If you like it let me know and share it with others. See you next time, Toi Thomas. #thetoiboxofwords #blacklivesmatter
I’m so pleased to share today’s guest post with you. It’s an honor to host a wonderful and supportive member of the IWSG today as she shares her thoughts on science fiction tropes, gearing you up to try out her new release (I already have some thoughts I can’t wait to put in the comments). I just started reading this book and am really enjoying it. I hope you enjoy this insightful article.
SciFi Trope: The Vastness of Space and the Resiliency of the Human Mind by Tyrean Martinson
Tropes and audience assumptions in fiction can be helpful for our understanding of plot and character in a fast-paced movie, show, or book. Some tropes and assumptions are obvious, but some are more subtle, as in the case of humans who are not affected by the vastness of space. We don’t even realize it’s a trope or assumption because it fits within our mindset of human conquerors of the universe.
When this trope is in play, we don’t see humans grappling with their tiny humanity in the vastness and silence of space. In many scifi films, we assume via trope that our heroes within the science fiction landscape are fully capable in space, regardless of their background or training. By using this trope, we can create fast-paced stories which focus on other aspects in the science fiction landscape. It’s a tempting trope/assumption to use for this reason alone.
Films which use this assumption include: Star Trek, Star Wars, Guardians of the Galaxy, Captain Marvel, Avengers, Firefly, Serenity, Total Recall, The Fifth Element, The Last Starfighter, the 100, Red Dwarf, Babylon 5, Doctor Who, Battlestar Galactica, Jupiter Ascending, and Treasure Planet.
The question is: is this a reasonable trope/assumption to break? Do we really want to add this element into the mix of science fiction? There are two ways this assumption can be addressed:
Mention the possibility of mental struggles with the vastness of space, but not have it affect the main cast of characters. This was done successfully in The Expanse. We, as an audience, understand that not everyone can cut the never-ending coldness of space when we see a character have a mental breakdown. While this event is a part of the plot in the first episode, we are freed up from spending a lot of time there because it’s not a problem for most of the cast.
Most of the characters have special training. This is assumed in Stargate, Star Trek, Farscape, and Firefly. It’s shown more directly in The Martian, the Apollo 13, Lost in Space, Buck Rogers, 2001: A Space Odyssey, Gravity, Alien (Aliens), Interstellar, and The Right Stuff.
I think it’s an important issue to deal with in one way or another. I know many of us love the idea of space travel, but the question is: are we really trained for it? Could we mentally handle being surrounded by the cold, silent vastness of space every single moment? While I love scifi enough to ignore the moments when this issue isn’t addressed, I didn’t want to completely ignore it in my own work, so I decided to have my main character in Liftoff at least think about it, and wonder at her own ability to handle space travel.
Would you want to travel in space?
Title: Liftoff
Subtitle: The Rayatana Series, Book 1
Blurb:
A spaceship in disguise,
An Earth girl searching for a sense of home,
And a Thousand Years’ War between alien races,
All collide on a summer afternoon.
An old movie theater welcomes Amaya in and wraps her up in the smell of popcorn and licorice. But one sunny afternoon during a matinee, the movie screen goes dark. The theater rumbles.
Amaya gets trapped in the middle of an ancient alien conflict. Angry and frightened, Amaya entangles herself in a life-changing cultural misunderstanding with Sol, a young alien who keeps omitting key information, even while they’re on the run from his enemies.
What will it take to survive a battle between alien races involved in an ancient war?
Liftoff is a fast-paced read for fans of Code 8, Guardians of the Galaxy, and Cobra Kai.
~
Release Date: November 10, 2020
Paperback ISBN: ISBN: 978-0-9889933-8-9
Ebook ISBN: ISBN: 978-0-9889933-9-6
Copyright Tyrean Martinson November 2020
Publisher: Wings of Light Publishing, Gig Harbor, WA, USA
About the Author: Tyrean Martinson is an author and teacher from Washington State. As a former fencer and kickboxer, she enjoys writing fight scenes in fast-paced novels and novellas. As a teacher and writing tutor, she loves to get students writing and reading comfortably by any means: talk-to-text, short writing assignments, short stories, novellas, and adventures. She wrote her latest novella, Liftoff, for herself during COVID, but realized it also fits a dream she’s had for a while: to create a short, fast-paced read for teen/YA readers who love popcorn movies, adventure, and sweet romance.
Thank you for taking the time to read this post. If you like it let me know and share it with others. See you next time, Toi Thomas. #thetoiboxofwords #blacklivesmatter
I think we are all guilty and all victims of stereotyping. Whether by appearance or other traits, such as race, religion to the mode of speech, residence, or country of origin. I know I am guilty of it.
I have the kind of complexion that people identify as Greek, Middle Eastern, Italian, and Latin American. I am originally from Mexico. Because of my height or sometimes because of my personality, people say, “Wow, you are so tall, I thought all Mexicans were short.” or “Wow, you are so outgoing; I thought Latin women were submissive.” Yes, I have heard that more than you can imagine.
I do not mind, especially at airports notorious for profiling, in the U.K., for example, after the Pan Am Flight 103 exploded over Lockerbie, Scotland, on December 21, 1988. The explosion, caused by a terrorist bombing. It resulted in the deaths of all 259 passengers on board the Boeing 747 and 11 people on the ground.
When I get profiled, I thank the person trying to do their job for protecting us; I do not take it personally. I do not think I look like an evil person, but what is the appearance of “an evil person”?
In 1939, at the Brink of WWII, my grandfather Cesar Agustin Castillo, a biochemical engineer for Standard Oil of New Jersey, died with four other men on board a British Airways, LTD plane in Denmark. Hitler invaded Poland just two weeks later and set off what we now know as WWII.
Amongst the Dead was a German corporate lawyer, he had a glass eye, and amongst his belongings were his medals from WWI. Because of the brutal warfare and use of Bayonets, it was not unusual for WWI veterans to be missing an eye. During WWII, hollowed-out glass eyes were often used to transport microfilm, espionage. So understandably, Herr Beuß (Beuss) profiled as a potential, “evil guy” as Europe in August 1939 described in a letter written by Grandfather the previous night, and received by his father after his death, stated. “Europe smells of dynamite and is surely at the brink of war.” (I paraphrase as he wrote in Spanish.)
So, Herr Beuß was investigated thoroughly. But my grandfather, with a New York City address and a Mexican passport with no record as the veteran for any army, went unnoticed. To the point that he was referred to as Señor Castello or Casteilo as some of the few replacements for his actual name Castillo.
My grandfather was born in Mexico. At the age of 10, he was taken to Germany to receive a proper education in 1908. He remained there until the summer of 1914 when WWI broke out in Europe. His father, Victor Manuel Castillo, was in international diplomatic circles, a lawyer, and amongst his clients had Baron Von Krupp. You know the Krupp that in 1933 received the first order for 135 Panzer I tanks. During World War II, the Krupp made tanks, artillery, naval guns, armor plate, munitions, and other armaments for the German military.
My grandfather also attended as an undergrad Texas A&M University which until the early 1960s was a Military school and post-grad at Columbia University in NYC.
In 1939, he was stereotyped and deemed not a person of interest. In the 1990s and early 2000s, as I researched and received help from numerous brilliant people; who were well versed in the 1930s, I heard more than once the question. “Did your grandfather speak as many languages as you?” to which I honestly answered, “More, he was fluent in five languages, especially German.” After a pause, the same response; “You realize that you are most likely researching a spy?”
~
Death of a Sculptor in Hue, Shape and Color
by M.C.V. Egan
Genre: Suburban Women’s Fiction
Color-coded love stories and revealing female anatomies lead to the murder of world-renowned sculptor, Bruce Jones.
In life, the artist loved women, almost as much as women loved him. Adored for his art and colorful personality, Bruce is mourned by the world at large. The tale is launched with the multifaceted perspectives of four ex-wives, the current wife, and his new love interest and their children.
Mary, Bruce’s wealthy first love, is always in perfect pink; the color of love. Mother of Clair the famous actress and Aaron the corporate lawyer.
Leslie The Second’s color is yellow for her sunny nature as much as for her fears and insecurities. Her only son Bobby is vulnerable and lost. Mourning his father’s death, he finds himself.
Petra The Third, is outstanding in orange, representing not only her native Holland but also her love of the fruit. Cherished her freedom and had no children of her own.
Toni The Fourth is a vibrant passionate Italian red and part of the eventual glue that creates and solidifies this dysfunctional Jones family. Her teenage daughters Tina and Isa are as different as night and day.
Brooke The Fifth a gold-digger. Green, her color, reflects the color of money and envy. Her young son’s Kyle and Caleb are too young to understand why their world has been turned upside-down.
Mara, as blue as the ocean was the last woman to steal Bruce’s heart. Mother to newborn Baby Peter is the unexpected gift and surprise.
Bruce Jones’ eight children speak out, too. They are as distinctive as the women he loved, their mothers.
Loose ends are tied up by the insights of Sylvia, Aaron’s wife and a trusted keeper of secrets; Scott, the private investigator and family friend; Nona, the quintessential grandmother everyone loves but to whom few are truly related; and Detective Jim Miller who will not rest until he discovers Bruce Jones’ murderer.
A word, a single word defines a moment for Anne. She needs to find a new one when her spouse, Frank, leaves her at the age of forty-seven, coming out of the closet literally in a closet.
She finds herself back in her hometown of Skvallerby, Connecticut among her high school friends which she had left in her past.
An inheritance from a frenemy leaves her with the means to meddle and spy on the lives of mutual acquaintances.
In an attempt to run from her reality Anne becomes engrossed in a game of fun and flirtation with her friend and fellow sufferer Connie.
Their fun games turn into a deadly reality. It is no longer a game. Life, death and not even a defining word can stop the reality of manipulation.
On August 15th, 1939, an English passenger plane from British Airways Ltd. crashed in Danish waters between the towns of Nykøbing Falster and Vordingborg. There were five casualties reported and one survivor. Just two weeks before, Hitler invaded Poland. With the world at the brink of war, the manner in which this incident was investigated left much open to doubt. The jurisdiction battle between the two towns and the newly formed Danish secret police created an atmosphere of intrigue and distrust. The Bridge of Deaths is a love story and a mystery. Fictional characters travel through the world of past life regressions and information acquired from psychics as well as archives and historical sources to solve “one of those mysteries that never get solved.” Based on true events and real people, The Bridge of Deaths is the culmination of 18 years of sifting through conventional and unconventional sources in Denmark, England, Mexico and the United States. The story finds a way to help the reader feel that s/he is also sifting through data and forming their own conclusions. Cross The Bridge of Deaths into 1939, and dive into cold Danish waters to uncover the secrets of the G-AESY.
M.C.V. Egan is the pen name chosen by Maria Catalina Vergara Egan. Catalina is originally from Mexico City, Mexico. Catalina has lived in various countries and is fluent in four languages; Spanish, English, French and Swedish.
Her first book The Bridge of Deaths revolves around her maternal grandfather’s death in 1939. A true-life pre-WWII event. It has over 200 footnotes with the resources of her extensive search through Archival materials as well as the use of psychometry and past life regressions. It is more fact than fiction.
The revised edition of The Bridge of Deaths; A love Story and a Mystery focuses on the story-line as opposed to fact, but all footnotes and facts are available through the website for any curious minds. http://www.thebridgeofdeaths.com
Defined by Others taps into the dark quirky side found even in the best of people. With the 2012 American elections as a backdrop and the fearless reassurance that the world might end on December 12, 2012, as predicted by the Mayan Calendar.
Death of a Sculptor; in Hue, Shape, and Color is a novella written in sixteen different voices. It is a murder mystery. She is currently working on a sequel; Bruce (title subject to change).
M.C.V. Egan lives and works in South Florida. She loves cooking and crafting. She is married and has a son. Aside from writing Astrology is one of her passions and careers she pursues.
Thank you for taking the time to read this post. If you like it let me know and share it with others. See you next time, Toi Thomas. #thetoiboxofwords #blacklivesmatter
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